Projet de recherche création « A la dérive »,
Video performatifs « Drift Sensation »
BilianaVassileva, MCF Danse, CEAC
Ce projet explore la poétique de la performance en danse, par la poïétique des improvisations en voyage; par 6 vidéos de danse/destinations en Asie/Occident;
soutenu par la lecture/théorisation proposée dans Performance Research, On Poetics and Performance, Volume 20, Routledge
« There is a poetics of editing. Now we invite you into this space of poetics and performance (your entry, another beginning) to follow the double helix interweaving the conventional and radical, methodological and experimental, critical and creative. And as you move through (step, leap, fly) we solicit you to find your own connections and make your own meaning. There is poetics of reading » Performance Research, Routledge, "To step, Leap, Fly"
« On Poetics and Performance concerns itself with « poïesis », or acts of making and giving form to the interplay of material and immaterial content intrinsic to any act of communication … our aim to position poetics in relation to the contexts of contemporary culture, open concepts of performance and performance making and an expanded view of what « poetics » may mean.
Suggesting that both poetry and dance operate in excess of the functions of language, Allsopp foregrounds the importance of embodiment in the meaning making procedures of both writing and choreography.»
Performance Research, On Poetics and Performance, Volume 20, Routledge
Projet de recherche création: descriptif
le thème de l’émergence (‘mitate’, ce qui emerge) est exploré à travers 4 voyages en Asie du Sud, Asie du Nord, Le Moyen Orient et l’Europe,
sur la base d’improvisations en danse « in situ »
Taiwan, 2013 l’Asie du Nord
« The Instant Island », improvisations en danse « in situ », sur musique création de Ricardo Mandolini
Thailande, 2016, Asie du Sud
Tel Aviv, 2017
Summer Intensive, Juillet « Instant Language »
"This is poetry. I never know what i am going to say." Rumi
https://www.youtube.com/watch?v=EBs3sxF12sE&t=6s
Porto, Portugal, 2017
“My soul is a hidden orchestra; I know not what instruments, what fiddlestrings and harps, drums and tamboura I sound and clash inside myself. All I hear is the symphony.”
https://www.youtube.com/watch?v=oqDVUkXesbc
Tel Aviv, 2018
Drift Sensation
"How to Walk on the Slippery Earth?",
a question which proposes that 'knowing is performative,
creative, and participatory,
not discursive, passive or theoretical"
Miriam Nichols in Radical Affections: Essays on the Poetics of Outside
"On Poetics and Performance", Performance Research Volume 20
Aucun commentaire:
Enregistrer un commentaire